LOCO SOUND
Live
Sound is emotion
In the world of live music there are lot of ways to realize your musical, sonic and apparantal visions
It´s all about the art
Do you need help to bring your musical vision live on stage with a prestine sound people can deeply feel and won´t forget? Do you need help creating a scalable setup to bring your music to different stage sizes? Do you need help finding or building a scalable team around you and your music which fits to your actual budgets, stages and gigs? Or just some good advice referring your current live setup? The centre is always your music, your art! We can find the perfect fitting solutions around...
Live sound for artists who want their music to be felt.
I work as a freelance live sound engineer and FOH mixer with bands and artists who expect more than just “good sound” on stage: control, reliability, and an emotional translation of their music into the room.
For over 12 years, I’ve mixed concerts and tours ranging from small venues to large-scale productions. I’m often involved early in the process, helping to translate studio productions into solid, expressive live concepts.
Profile Snapshot

  • 15+ years of professional live mixing experience
  • Concerts and tours of various scales
  • Ongoing work with established and successful artists
  • Strong link between studio aesthetics and live performance
Focus
Music comes first — and with it, the emotion it’s meant to create.
I don’t mix toward technical ideals alone. I mix toward impact:
How should this moment feel?
What energy does the room need?
What supports the emotional intent of the song?
Technical precision is a prerequisite, not the goal.
It creates the freedom to mix musically.
My calm, structured way of working and long-term experience give many artists a strong sense of security, especially in complex or high-pressure live environments.
Services
Live Mixing (FOH)
  • Front-of-house mixing for concerts and tours
  • Adaptation to venue, audience, and musical context
  • Consistent results under changing conditions
Live Concept & Preparation
  • Translating studio productions into reliable live setups
  • Early involvement in rehearsals and production planning
  • Sound aesthetics, dynamics, and musical flow
Artist Support
  • Technical and musical point of contact on tour
  • Reliability, overview, and experience
  • Focus on performance and music
Artist mgmt
  • Long-term career development and strategic planning
  • Coordination of releases, touring, and production timelines
  • Communication and negotiation with promoters, labels, and partners
  • Structuring live production and technical teams around the artist’s needs
Who this is for?
  • Artists and bands with a clear musical identity
  • Projects where live sound is part of the artistic statement
  • Productions that value trust, calmness, and experience
  • Artists seeking both technical live support and strategic artist management within the same working relationship
References
  • Amili
    FoH live sound design
  • Annenmaykantereit
    Head of audio, FoH live sound design
  • AnnenWilking
    FoH live sound design
  • Audio88 & Yassin
    Sub FoH Live sound design
  • Beachpeople
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    Sub FoH live sound design
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  • Dead cross
    Monitor
  • Die Toten Hosen
    Monitor assistent, Monitor guests
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  • Estikay
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  • Faber
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    Sub production mgmt
  • Fortuna Ehrenfeld
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  • Giant Rooks
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  • Her
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  • Jeremias
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    Sub Monitor
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  • Patricia Kelly
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  • Radio deluxe
    Consulting sound design
  • Roosevelt
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  • Sinfonia
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  • Soho Bani
    Sub FoH live sound design
  • Sparkling
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  • Suff Daddy
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  • SXTN
    Sub production mgmt
  • Umse
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  • Vesna
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  • Von Wegen Lisbeth
    Monitor
  • Wiz The MC
    Sub FoH live sound design, Sub Monitor
  • Woman
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  • Xul Zolar
    FoH live sound design
  • Alexander Marcus
    Sub FoH
  • Lugatti &9ine
    Sub FoH
Made on
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